"His Identity Is Faceless" by Rodshir Dailë (2020)
Self-portrait series, using LiDAR 3D laser scanning photography technology. Photographed by Rodshir Dailë.
Inspired by Sølve Sundsbø's artwork for Coldplay's "A Rush of Blood To The Head" album.
"His Identity Is Faceless, nº2" by Rodshir Dailë (2020)
Self-portrait series, using LiDAR 3D laser scanning photography technology. Photographed by Rodshir Dailë. Inspired by Sølve Sundsbø's artwork for Coldplay's "A Rush of Blood To The Head" album.
"Bleu Serein"
by Rodshir Daile - Edition of 10
New Media, 14.2 H x 9.4 W x 0 in
"Green Shades"
by Rodshir Daile - Edition of 10
New Media, 14.2 H x 9.4 W x 0 in
"Le Coucher du Soleil"
by Rodshir Daile - Edition of 10
New Media, 14.2 H x 9.4 W x 0 in
"Surreal Life or Something Like It" (2018)
From the 2018 Paris exhibition series "Surreal Life or Something Like It". The paintings in the exhibition merged together deep conscious/subconscious, ancient geometry, surrealism, ancient Sumerian, and Egyptian culture. The exhibition also introduced his “monochromvision®” to a much more public view. An art style which was the core aesthetic of Rodshir Dailë Studio®, now Dailë Design + Associates®. Monochromvision® derived from the medical condition known as monochromtism, in which a person only sees in black, white and shades of grey. Rodshir translated this same technique into his paintings, by merging surrealism, roman architecture and Egyptian landscapes.
"Untitled nº10" (2017)
by Rodshir Daile
Watercolor on canvas, 25.6 W x 19.9 H x 1.2 in
"Untitled nº11" (2017)
by Rodshir Daile
Watercolor on canvas, 19.7 W x 25.6 H x 0.2 in
"Untitled nº12" (2018)
by Rodshir Daile
Watercolor on canvas, 14.6 W x 9.8 H x 1.2 in
"Untitled nº3" (2017)
by Rodshir Daile
Watercolor on canvas, 19.7 W x 19.7 H x 1 in
"Untitled nº7" (2018)
by Rodshir Daile
Watercolor on canvas, 15.7 W x 15.7 H x 1.2 in
"Untitled nº20" (2017)
by Rodshir Daile
Watercolor on canvas, 15.7 W x 15.7 H x 0.8 in
"Untitled nº13" (2017)
by Rodshir Daile
Watercolor on canvas, 11.8 W x 11.8 H x 1 in
"Untitled nº6" (2017)
by Rodshir Daile
Watercolor on canvas, 19.7 W x 19.7 H x 0.5 in
"Untitled nº21" (2018)
by Rodshir Daile
Watercolor on canvas, 7.9 W x 9.8 H x 0.8 in
"Untitled nº4" (2018)
by Rodshir Daile
Watercolor on canvas, 15.7 W x 15.7 H x 1 in
"Les Célestes" (2017)
by Rodshir Daile
Graphite, pencil on fine art paper , 17 W x 11 H x 1 in
"Untitled nº8" (2018)
by Rodshir Daile
Watercolor on canvas , 15.7 W x 15.7 H x 1 in
"La Beauté Vue de Côté" (2020)
by Rodshir Daile
Graphite, pencil on 250g/m2 fine art paper , 8.3 W x 11.7 H x 0 in
"Untitled nº17" (2017)
by Rodshir Daile
Watercolor on canvas , 9.8 W x 14.6 H x 0.6 in
"Équilibrage" (2020)
by Rodshir Daile
Graphite, pencil on 250g/m2 fine art paper , 8.3 W x 11.7 H x 0 in
"An Inner Feeling Nº1" (2020)
by Rodshir Daile
70 x 70 cm. Print on 250g crystal archive velvet matte RC paper
"An Inner Feeling Nº2" (2020)
by Rodshir Daile
70 x 70 cm. Print on 250g crystal archive velvet matte RC paper
"An Inner Feeling Nº3" (2020)
by Rodshir Daile
70 x 70 cm. Print on 250g crystal archive velvet matte RC paper
"Moons Over Paris, nº1" (2017)
by Rodshir Daile
Print on Fine Art Photo Paper
"Moons Over Paris, nº2" (2017)
by Rodshir Daile
Print on Fine Art Photo Paper
"Moons Over Paris, nº3" (2017)
by Rodshir Daile
Print on Fine Art Photo Paper
"Ode to Yves, nº1" (2017)
by Rodshir Daile
Print on Fine Art Photo Paper, Edition of 25
"Ode to Yves, nº2" (2017)
by Rodshir Daile
Print on Fine Art Photo Paper, Edition of 25
"Ode to Yves, nº3" (2017)
by Rodshir Daile
Print on Fine Art Photo Paper, Edition of 25
"Kreis, Quadrat, Dreieck" (2020)
by Rodshir Dailë
AR Sculpture (Augmented Reality), inspired by the Bauhaus' theory on the use of basic shapes in design.
"Kreis, Quadrat, Dreieck" (2020)
by Rodshir Dailë
AR Sculpture (Augmented Reality), inspired by the Bauhaus' theory on the use of basic shapes in design.
"Kreis, Quadrat, Dreieck" (2020)
by Rodshir Dailë
AR Sculpture (Augmented Reality), inspired by the Bauhaus' theory on the use of basic shapes in design.
"Lonely Cloud" (2021)
by Rodshir Dailë
50 x 70 cm, printed on Kodak Endura Premier N satin RC 250g paper (Closed edition of 5).
"Dispersing Clouds" (2021)
by Rodshir Dailë
50 x 50 cm, printed on Kodak Endura Premier N satin RC 250g paper (Closed edition of 5).
"Formation" (2021)
by Rodshir Dailë
50 x 50 cm, printed on Kodak Endura Premier N satin RC 250g paper (Closed edition of 5).
"True Beauty Is A Conscious, and Subconsious Mind" (2021)
by Rodshir Dailë
30 x 21 cm, oil pastel stick on 240g/m2 paper.
"It Never Entered My Mind" (2021)
by Rodshir Dailë
40 x 40 cm, oil stick on canvas.
"In Search Of Lost Time" (2021)
by Rodshir Dailë
21 x 30 cm, oil pencil + graphite on 240g/m2 paper.
"Kind Of Blue" (2021)
by Rodshir Dailë
50 x 50 cm, digital painting art print, on Kodak Endura Premier N satin RC 250g archival paper (Edition of 5).
"The Pixel Of A Man" (2021)
by Rodshir Dailë
-29,7 x 21 cm, digital painting art print, on Fuji matte crystal velvet RC 250g archival paper (Edition of 15).
-1-OF Digital work, registered on Blockchain.
"I'll Remember May" (2021)
by Rodshir Dailë
50 x 70 cm, digital painting art print, on Fuji matte crystal velvet RC 250g archival paper (Edition of 5).
"How To Suppress A Dream" by Rodshir Dailë (2021)
From the ongoing self-portrait series, using LiDAR 3D laser scanning photography technology. Photographed by Rodshir Dailë. Inspired by Sølve Sundsbø's artwork for Coldplay's "A Rush of Blood To The Head" album.
"How To Suppress A Dream" by Rodshir Dailë (2021)
From the ongoing self-portrait series, using LiDAR 3D laser scanning photography technology. Photographed by Rodshir Dailë. Inspired by Sølve Sundsbø's artwork for Coldplay's "A Rush of Blood To The Head" album.
"How To Suppress A Dream" by Rodshir Dailë (2021)
From the ongoing self-portrait series, using LiDAR 3D laser scanning photography technology. Photographed by Rodshir Dailë. Inspired by Sølve Sundsbø's artwork for Coldplay's "A Rush of Blood To The Head" album.
"Optical Study, 1" by Rodshir Dailë (2021)
Rodshir Daile’s “Optical Study” series was inspired by Wassily Kandinsky’s “Circles in a circle” (1923). The series consists of three works, all varying in color combinations. The series was initially started during Rodshir’s studying and researching of the Bauhaus color theories. In 2021, the series was revisited and prepared for a fine art print edition release of 15, per work. The series is also a continuation of the usage of shapes found throughout Rodshir’s work.
Edition of 15.
"Optical Study, 2" by Rodshir Dailë (2021)
Rodshir Daile’s “Optical Study” series was inspired by Wassily Kandinsky’s “Circles in a circle” (1923). The series consists of three works, all varying in color combinations. The series was initially started during Rodshir’s studying and researching of the Bauhaus color theories. In 2021, the series was revisited and prepared for a fine art print edition release of 15, per work. The series is also a continuation of the usage of shapes found throughout Rodshir’s work.
Edition of 15.
"Optical Study, 3" by Rodshir Dailë (2021)
Rodshir Daile’s “Optical Study” series was inspired by Wassily Kandinsky’s “Circles in a circle” (1923). The series consists of three works, all varying in color combinations. The series was initially started during Rodshir’s studying and researching of the Bauhaus color theories. In 2021, the series was revisited and prepared for a fine art print edition release of 15, per work. The series is also a continuation of the usage of shapes found throughout Rodshir’s work.
Edition of 15.
